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Events taking place

within the Chicago city limits

will have an entertainment tax

added to the total.

Tax of 4% for theatre/concerts,

8% for sporting events

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Audioslave Tickets!

Audioslave Tickets are now available! Our ticket team has over twenty years of experience helping thousands of individuals enjoy the incredible experience of attending Audioslave events. We pride ourselves on giving you the personal attention you deserve, by not only fulfilling your orders for Audioslave Tickets professionally, but by providing those helpful extras like Audioslave seating charts, driving directions, accommodations, or anything else within our power to make your experience a memorable one.

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Audioslave Biography & History

When Zack de la Rocha left Rage Against the Machine in October 2000, the band's future dynamic was obviously in question. Within months, rumor had it that ex-Soundgarden front man Chris Cornell would be replacing de la Rocha. Gossip fueled truth, for Cornell joined the rest of Rage in the studio in May 2001. The mix was great and a musical bond was in the making. Cornell, Tim Commerford, Brad Wilk, and Tom Morello spent the next year writing and recording, and it appeared that a band would soon come to form.

By spring 2002, the foursome were no longer going by the Rage Against the Machine name and signed on for Ozzfest. But before the summer tour even got underway, Cornell quit the new project. He claimed it wasn't moving forward in the direction he'd hoped for. The breakdown didn't last, for Cornell joined the rest of the band by early fall. They'd tossed around the idea of being called Civilian, but settled on Audioslave.

First single "Cochise," which is named for the great American Indian chief, who died free and unconquered, debuted in September 2002 and did moderately well among radio. Audioslave's Epic debut was released in November. Although the newly formed quartet made it clear that they were not the new millennium's Soundgarden or RATM, they weren't sure what to call their new project after facing legal issues securing the band names Civilian and Audioslave, both which were already taken. But an unsigned British band already going by the moniker of Audioslave eventually struck a lucrative monetary deal that allowed the Cornell-fronted American band to also use the name.